One thing has struck me. Every time I go shooting with a camera I have the feeling that I am executing phenomenology. Why is this? Are there any reasons why I should have such an idea?
I think there is, and I will make a note about it here.
Phenomenology teaches you to study the things themselves. The way you can experience them in the natural attitude doing day to day chores. Beyond that, phenomenology also tells you to wait a second, to freeze the situation, and to study it further. To bring out the heart of the matter.
Phenomenology has special words for these activities. They call it bracketing and phenomenological reduction. Bracketing is the freezing of a situation. Reduction is studying it in detail to bring out the general structures of phenomena. Phenomenology simply means to study, to talk about, or to argue for that which can be experienced. And how it is experienced. As man’s knowledge is confined to that which can be experienced, phenomenology is a basic discipline. A first science.
Doing phenomenology is very similar to what I do with my camera. Bringing my camera with an intention to take a picture, already frames the moment in terms of having that and that intention. When I press the release button, I actually freeze the moment that I intend, or don’t intend, to photograph.
Having done my homework I know what structures a phenomenological reduction brings with it. Every single picture I take is a window to all structures of all experiences. Every time I take a picture I am, in terms of phenomenology, half way there. I do not have to think about bracketing, or freezing, the natural attitude to understand it better. The camera does that for me.
That is what you see reflected in my photographs. That is the type of pictures that I enjoy taking. Take a look at the one above. Every phenomenological dimension you can ever think of, is in there. You only need to unfold them. Here are 425 more photographs you are welcome to look at.
That’s all, ladies and gentlemen. Think about it. Leica, or no Leica.
So high the sky.
The picture is shot with a Leica X1, Berlinische Galerie, Berlin, November 7, 2010.
I am starting a new series of posts. These posts will have the form of notes, much like the ones you have in your personal notebook made of paper. The difference is, of course, that these notes will be made public. Feel free to comment as they emerge. You can do that in whatever way you find suitable.
The notes will have the form of short, unpretentious, often fragmented pieces of information from areas within phenomenology that will be relevant for investigating photography as a phenomenological phenomenon. Many of the posts will be inspired by well known philosophers, and their well known phenomenological texts. Others may seek to pave a new way.
In the notes, I will also seek to bridge the gap between phenomenological description of photography, and the activity of taking pictures with a camera. I find that to be an interesting task since I have a liking to both practical phenomenology and practical photography. Yes, I do think that there is a special affinity between phenomenology, and certain types of photography. That issue has not been investigated yet. My hope is that I will be able to contribute to make that affinity more tangible.
Some of you may have noticed, that apart from running this blog, I also run two picture blogs. The largest one being Berlin Black And White, which I started in July 2010. At this moment it holds 270 photographs. The second picture blog is Photos Of The Danes, which is quite recent and does not hold that many images.
And there is barebones communication, which has a much wider scope. That blog was started in November 2007, and already took an explicit interest in phenomenology and photography at that time.
I have worked rather hastily in loading pictures to Berlin Black And White. The reason is, that I wanted to have a stock of pictures in place for the blog you are reading now: Phenomenology and Photography. I believe that many of the pictures loaded to that blog are shot in a phenomenological “frame of mind”. They honour certain unspoken demands that phenomenology could be said to pose on photography.
Mind you, I could be wrong in this assumption. Please, therefore, consider it a hypothesis to be investigated. Such an investigation will indeed be a main theme on this blog. The forthcoming notes will, hopefully, bring bits and pieces to such an investigation.
I cannot explicitly tell you why I find many of the shots in the Berlin photo blog particularly phenomenological, for the simple reason that I am not able to set words on it yet. It is more of a gut feeling based on certain phenomenological preliminaries. So, you have to bear with me for the time being. Just as I have to bear with me.
I am excited to see where the series of notes will take the investigation, as I hope some of you are too. Why don’t you start by looking at some of the photographs in Berlin Black And White. There is even a slideshow presenting some of them. See if you can spot the preliminaries :-).
This post have been tagged: note, notes, notebook. A new category has been set up, as well: notebook.